One of the most courageous women of our age, and one whose lovely visage immediately refutes the silly and stupid canard that opposition to the jihad supremacist ideology is “racism,” speaks truth to power in Der Spiegel:
SPIEGEL: Hirsi Ali, you have called the Prophet Muhammad a tyrant and a pervert. Theo van Gogh, the director of your film “Submission,” which is critical of Islam, was murdered by Islamists. You yourself are under police protection. Can you understand how the Danish cartoonists feel at this point?
Hirsi Ali: They probably feel numb. On the one hand, a voice in their heads is encouraging them not to sell out their freedom of speech. At the same time, they’re experiencing the shocking sensation of what it’s like to lose your own personal freedom. One mustn’t forget that they’re part of the postwar generation, and that all they’ve experienced is peace and prosperity. And now they suddenly have to fight for their own human rights once again.
SPIEGEL: Why have the protests escalated to such an extent?
Hirsi Ali: There is no freedom of speech in those Arab countries where the demonstrations and public outrage are being staged. The reason many people flee to Europe from these places is precisely because they have criticized religion, the political establishment and society. Totalitarian Islamic regimes are in a deep crisis. Globalization means that they’re exposed to considerable change, and they also fear the reformist forces developing among Ã©migrÃ©s in the West. They’ll use threatening gestures against the West, and the success they achieve with their threats, to intimidate these people.
SPIEGEL: Was apologizing for the cartoons the wrong thing to do?
Hirsi Ali: Once again, the West pursued the principle of turning first one cheek, then the other. In fact, it’s already a tradition. In 1980, privately owned British broadcaster ITV aired a documentary about the stoning of a Saudi Arabian princess who had allegedly committed adultery. The government in Riyadh intervened and the British government issued an apology. We saw the same kowtowing response in 1987 when (Dutch comedian) Rudi Carrell derided (Iranian revolutionary leader) Ayatollah Khomeini in a comedy skit (that was aired on German television). In 2000, a play about the youngest wife of the Prophet Mohammed, titled “Aisha,” was cancelled before it ever opened in Rotterdam. Then there was the van Gogh murder and now the cartoons. We are constantly apologizing, and we don’t notice how much abuse we’re taking. Meanwhile, the other side doesn’t give an inch.
SPIEGEL: What should the appropriate European response look like?
Hirsi Ali: There should be solidarity. The cartoons should be displayed everywhere. After all, the Arabs can’t boycott goods from every country. They’re far too dependent on imports. And Scandinavian companies should be compensated for their losses. Freedom of speech should at least be worth that much to us.
Read it all.