Hadith Qudsi 19:5: “The Prophet said that Allah commanded him to destroy all the musical instruments, idols, crosses and all the trappings of ignorance.” (The Hadith Qudsi, or holy Hadith, are those in which Muhammad transmits the words of Allah, although those words are not in the Qur’an.)
Muhammad also said:
(1) “Allah Mighty and Majestic sent me as a guidance and mercy to believers and commanded me to do away with musical instruments, flutes, strings, crucifixes, and the affair of the pre-Islamic period of ignorance.”
(2) “On the Day of Resurrection, Allah will pour molten lead into the ears of whoever sits listening to a songstress.”
(3) “Song makes hypocrisy grow in the heart as water does herbage.”
(4) “This community will experience the swallowing up of some people by the earth, metamorphosis of some into animals, and being rained upon with stones.” Someone asked, “When will this be, O Messenger of Allah?” and he said, “When songstresses and musical instruments appear and wine is held to be lawful.”
(5) “There will be peoples of my Community who will hold fornication, silk, wine, and musical instruments to be lawful ….” — ‘Umdat al-Salik r40.0
“In northern Mali, music silenced as Islamists drive out artists,” by Sudarsan Raghavan for the Washington Post, November 30:
BAMAKO, Mali “” Khaira Arby, one of Africa’s most celebrated musicians, has performed all over the world, but there is one place she cannot visit: her native city of Timbuktu, a place steeped in history and culture but now ruled by religious extremists.
One day, they broke into Arby”s house and destroyed her instruments. Her voice was a threat to Islam, they said, even though one of her most popular songs praised Allah.
“They told my neighbors that if they ever caught me, they would cut my tongue out,” said Arby, sadness etched on her broad face.
Northern Mali, one of the richest reservoirs of music on the continent, is now an artistic wasteland. Hundreds of musicians have fled south to Bamako, the capital, and to other towns and neighboring countries, driven out by hard-liners who have decreed any form of music “” save for the tunes set to Koranic verses “” as being against their religion.
The exiles describe a shattering of their culture, in which playing music brings lashes with whips, even prison time, and MP3 and cassette players are seized and destroyed.
“We can no longer live like we used to live,” lamented Aminata Wassidie Traore, 36, a singer who fled her village of Dire, near Timbuktu. “The Islamists do not want anyone to sing anymore.”…
They have installed an ultraconservative brand of Islamic law in this moderate Muslim country, reminiscent of Afghanistan’s Taliban and Somalia’s al-Shabab movements. Now, women must wear head-to-toe garments. Smoking, alcohol, videos and any suggestions of Western culture are banned. The new decrees are enforced by public amputations, whippings and executions, prompting more than 400,000 people to flee. The extremists also destroyed tombs and other cultural treasures, saying they were against Islamic principles.
For the WaPo, you’re ultraconservative if you favor Sharia, and ultraconservative if you oppose Sharia.
The death of music was inevitable. It is, perhaps, Mali’s strongest link to the West. Musicians such as the late guitarist Ali Farka Toure, the Tuareg-Berber band Tinariwen and singers such as Salif Keita exported their music to the United States and Europe. They often collaborated with Western musicians….
That’s not why the Islamic supremacists in Mali are suppressing music. They’re suppressing it because it is against Islamic law.